
Opening 27/06/2019, 19:00
At the BOZAR Center for Fine Arts in Brussels, will be the exhibition The Twelfth Time Zone: A Contemporary Art Report from Russia organized by NEMOSKVA, where will be shown the big part of my work about the centuries-long landscape Olkhon Island — Sagaan Sag. I began this work unconsciously in 2012 and I hope I will continue. The exhibition will be until September 2019
News

17 June 2019 / A Name for the Tree at KulturKontakt Austria AIR, Vienna
Opening the exhibition of the residents in KulturKontakt Austria AIR, Concordiaplatz 2, Vienna. I will show a part...

Portraits and landscapes for The New Yorker
Old town Tarusa and portrait of Maxim Osipov for The New Yorker magazine / May 2019

The Kuril Islands for The Washington Post
Work for The Washington Post / May 2019

Sculpture and drawings for Urgent Perspectives #3, Aacollections Gallery, Vienna
For Urgent Perspectives #3, Elena Anosova develops a sculpture that refers to the historical context and the original...

Open Call в онлайн-лабораторию с Еленой Аносовой и Ольгой Матвеевой
Наша совместная лаборатория — это пространство коллективной работы над новыми проектами, которое завершится выставкой...

Primavera / Still life shop of artist prints
All prints measure 9×11 cm, each piece is printed on museum quality paper.

Interview for MUSÉE Magazine
— Describe your creative process in one word?
— Balancing.

A joint exhibition by Elena Anosova and Olivier Cablat — Dream Team — will open at the Citadel in Calais, France
A joint exhibition of Elena Anosova and Olivier Cablat — Dream Team — opened in the Citadel, Calais, France. The...

All the World
Rulers and Inside the Soft Gold by Elena Anosova were created for the exhibition All the World

Human.Kind / Musée international de la Croix-Rouge et du Croissant-Rouge, Geneve
Elena’s work at the NEW LOOK AT HUMANITARIAN PHOTOGRAPHY THROUGH 10 EDITIONS OF THE PRIX PICTET

Archetype and visuality / video, Garage Museum
Conversation with Elena Anosova, resident of the Garage Museum workshops “Archetype and Visuality”